Review
Delhi based Azadi Records and Mumbai’s Gully Gang Entertainment’s very first collaboration is a track titled ‘Dum Pishaach’ and is produced by Gully Gang’s...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Chaubees’ by Vibha Choraria chronicles a typical day in her psyche
‘Red Room’, a psychedelic trap project by Vinayvvs, delivers an otherworldly sonic experience
In My Asymmetry : Frizzell D’Souza’s New EP is Proof of Her Delicate Songwriting
Mizoram-based Rnzx’s Sophomore Album ‘Messy’ blends traditional Mizo sounds and modern indie
Raghu Dixit explores self love, childlike joy, beauty in imperfection & other themes through album ‘Shakkar’
- Industry Insight
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
Why Music Events Should Be More Inclusive and Need Reforms
Offline Music Marketing Tools For Every Independent Musician
- Featured
The Delhi Hip-Hop Classsikh: A callback to ‘Class – Sikh’ by Prabh Deep and Sez on the Beat
Violette: Qaab’s Musical Abyss, Which Transpired To Be one of Desi Hip-Hop’s Finest
All That We Know Is Light: Navigating The Student Music Scene in Delhi
“More venues, event managers, festivals need to open up their space for new indie artists” – In Conversation with Kashmira Khot
“It’s all about the personal perspective of the listener” – In Conversation with CBZ
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